PDA

View Full Version : Profile: Frederick Worthington


Ubaldo Piangi
08-28-2005, 05:21 AM
Frederick Worthington
Age: 27 (Birthday July 22)
Gender: Male
Occupation: Opera singer (Heldentenor)

Frederick Worthington, born Chesterton Ashleigh, originally descended from a noble family headed by the Earl of Hereford. From a very young age, he was brought up immersed in the art of music because his father was a patron of the London Opera. Many times the earl would play records of the most famous operas while the young lad would attentively listen. Chesterton's home life was full of happiness and laughter, and his parents were wealthy enough to lavish him with many expensive gifts. All of that changed after his 17th birthday, when the unthinkable happened. One evening at a masqued ball on his father's estate, the teenage boy was dancing with Elissa, daughter of the Duke of Gloucester, but was called away by a relative who wished to chat with him. A marquess's son, jealous of Elissa choosing Chesterton over himself, saw his chance and whisked the innocent young girl to a bedroom inside the manor, where he proceeded to fondle her. When Chesterton returned to the dance floor, he found Elissa was missing. He called out for her until a maid came running downstairs, then frantically told him she had found the girl while walking past the bedchamber. The young man immediately leapt to action and sprinted upstairs; he burst into the room, drew the saber at his belt, and charged at the son of the marquess. Unfortunately, Elissa was thrown into the middle, taking the steel blade through her abdomen. As she fell to the floor, dying, the cad who had nearly raped her bolted down to the ballroom, shouting that Chesterton had killed the duke's daughter. The police were immediately summoned, everyone present believing the lie told by the marquess's son. Chesterton fled his home, never to return. His life had been changed forever.

While walking one day, he happened to pass the London Opera House and wandered inside. After summoning all his courage, the boy stepped onto the stage and faced the director. When asked his name, Chesterton hesitated, as he did not want to give his real name away out of fear he might be thrown out as the suspected murderer of the Duke of Gloucester's daughter. His mind racing, he blurted out, "Frederick Worthington." He thought it sounded like a name for a proper opera singer to have, not to mention it prevented him from blowing his cover. Chesterton, posing as "Frederick", was thus taken into the London Opera Company and given further tutelage in the fine art of performing on a stage, with many hours of intensive voice training. While on tour two years after he joined the London Opera, word got to him that they had captured Elissa's true murderer and Chesterton Ashleigh's name had been cleared. Yet the young man had grown used to his new name, so he decided to keep it permanently by getting it legally changed.

Frederick has an acquired affinity for the Victorian style that has become a way of life for him. He is a young man with soft, wavy jet-black hair styled to have a part on the left side and the hair flipped over to the right. His sideburns are long--the remainder of a beard he had grown some time ago--and always impeccably groomed; his piercing, steel-grey eyes, squareish face, and large musculature make him an imposing figure at first glance. Despite his height and physical build (which he built up during his time with the London Opera by lifting weights and adopting a high-protein diet to increase his muscle mass), Frederick has trained himself to gesticulate with the grace of a true Victorian gentleman. He even wears a few period suits, although most of his clothing is more modern, and his wardrobe is generally formal. As for his personality, he tends to be rather aloof, distant compared to most other young men his age who often go out to parties and on dates. However, many girls find Frederick to be quite handsome, a man who can be a real charmer if he and a girl happen to like each other. He is quite possessive of the girl for whom he may have affections, only playing dirty if he has to should she be pursued by another man. His downfalls are vanity (he avoids getting his hands dirty as much as possible) and his tendency for condescension to his peers.

Ubaldo Piangi
07-30-2008, 08:09 PM
Up until very recently, Frederick has not known the whereabouts or doings of his younger sister, Lily Grace Ashleigh. Since his flight from the Ashleigh estate following Elissa's gruesome death and his eventual success as a star of the opera stage, there has been little information on her. In his correspondence with their parents, Lord Elric Ashleigh and Lady Marietta Ashleigh, the only thing he knew was that she had been sent off to boarding school. However, while rehearsing one day for Tristan und Isolde, the English tenor received a most unexpected surprise: his own sister, who now had changed her surname to Hamilton, was dropping in on him to stay for a while, in a bid to flee from their palatial home in England.

The personalities of Frederick Worthington and Lily Grace Hamilton are as different as night and day. Both were brought up by their parents, disciplined in the social graces to be displayed when traveling among the circles of England's high society. Being the older of the two, Frederick (formerly Chesterton Ashleigh, who had taken his current name first as an alias to prevent being turned over to the police) was groomed to be the heir to the wealth, earldom, and noble title that belonged to the first-born male of every generation in the Ashleigh line. He had a much greater appreciation of the finer things in life than did his sister, who had a rebellious streak that often got him caught in the middle of one of her "brilliant" schemes; Frederick very much enjoyed the leisurely lifestyle and activities that came from belonging to the wealthy, honored noble classes. His greatest passion, aside from music and singing, was riding horses. He would practice long hours perfecting his English dressage riding, training his horse diligently in various intricate steps, which led to several regional and national championship crowns.

Lily, on the other hand, was always one who sought to break out of the mold of propriety and tradition that was held dear by much of England's nobility. She often wore contemporary fashions, and on occasion they were considered shocking, especially if she happened to wear something to a formal event that did make her stand out from everyone else. If she were to find herself in a tight spot, there would always be guilting her brother into helping her; Lily knew that the honor and good manners instilled in him would not allow him to leave her helpless. On the other hand, it would leave him caught in the middle between helping his sister out of a jam and jeopardizing his integrity and honor. Frederick's younger sibling was always after the latest fads and fashions, while he would prefer more classic ideas of fashionable dress and timeless modes of comportment that he has revived in a fast-paced, technological age that takes pride in independence and breaking away from the norm.

Ubaldo Piangi
08-11-2010, 06:11 AM
After the death of his fiancée, the Russian chorus performer Julianna DiPallo, Frederick was involved in an investigation conducted by Jean Sauveur to glean more information about the girl's murder. Ember Slight had visited his apartment during that time, and was questioned by the Frenchman; it was then that the two felt their friendship turning into the first pangs of love.

Ava Belle, the daughter of the Marquess Winfield, pursued Frederick as her obsession with him pitted her against Isabella Delancy, the young English singer who was dating the handsome tenor at the time of her arrival, as well as Ember. She would do anything to have the tall, dark-haired, and Victorian-esque opera star all to herself...even if it meant almost killing Isabella to make sure they were never separated from each other. The crazed Winfield heir, whose brother had plunged to his death attempting to kill Frederick on the roof of the opera house, was outed inside the very same building at the annual Halloween gala event; while Ava was taken away by the police, however, Isabella walked away from the Englishman, leaving him sad and alone once more.

Somehow, some way, he and the Canadian chorus girl once again found each other. It was almost as if Fate had intervened and brought them back together. And this time, they plan to share the rest of their lives as eventual husband and wife. Following a surprise proposal in the darkened showroom at the back of Van Cleef & Arpels--where Ember got to choose her very own engagement ring--the two have traveled between France and England. Frederick introduced his new fiancée to his parents, Lord and Lady Ashleigh, on a trip they made early in the autumn months; it was here that the two singers shared the deep, dark secrets of their past lives. Despite his mother's immediate liking of the pretty young lady who had captured her famous son's heart, Lord Ashleigh was somewhat skeptical of her intentions. This led to a heated fight between the two men, and caused so much stress to the soprano that she fainted on the grand staircase in the foyer of the Ashleigh manor (luckily, the man she loved caught her just in time). The next morning, after a restless night, he pleaded with Ember not to leave him, so she agreed to stay. Following breakfast, she set about exploring the manor and found the simple elegance of the music room, where she found the grand piano and began to play.

The music was beautiful enough to soothe even the savage beast that was the skepticism and doubt plaguing Lord Ashleigh. He began to see that there was more to the young lady than he originally thought...

Before leaving to return to Paris, the Earl and his wife held a grand, expensive gala with many invited guests--including Her Majesty, Queen Elizabeth II--who came to honor the accomplishments of Frederick Worthington (known to the nobility by his birth name, Chesterton Ashleigh). However, the evening was nearly ruined by Philippe, the elder son of the Marquess Winfield, as he attempted to pursue Ember to fulfill his not-so-good intentions. His plans were soundly defeated by the future earl, who had come back out after retrieving his white gloves and, upon finding the wicked young man advancing on his fiancée, clocked him in the face. It later proved to Lord Ashleigh just how much his son had matured, by becoming more of a man in the physical sense as well as displaying his fearlessness in defending a lady who might not have put up as much of a fight against someone like Philippe. Following a chat in the gardens behind the manor during a wintertime visit to the ancestral estate, Frederick was surprised to hear his father give his blessing to the marriage, a gesture which buried the hatchet between them. He now eagerly awaits the day when he will take Ember Slight to be his wife and have a happy future with her.